Seasons Greetings from Repeat Viewing (and the Nakatomi Corporation)

Beards In Film

I’ve worn a full beard on and off - mostly on - for the past 20 years. It has never been a fashion choice, nor an indication of my profession, lifestyle or social status. My reason for having a beard is simple; facial hair is relentless. Do nothing to remove it and it grows. Beards in film, on the other hand, are rarely meaningless. They generally function in one of two ways - to perpetuate a preconceived character type, or, more frequently, as a milestone in a character’s story arc.

Consider Marvel Studios’ underwhelming CGI spectacle Doctor Strange. When the eponymous hero is first introduced, we see him shaving with a double edged razor. After a car accident leaves him with damaged hand nerves, he attempts to shave but finds he is unable to hold the razor steady. Hence, his facial hair signifies a physical impairment, and eventually, the passage of time as it grows longer and fuller. Rather than a stylistic choice, it is a visual reminder of his downward spiral into depression and obsession. When he becomes proficient in the mystic arts, he immediately trims his beard into the neat goatee and moustache that we associate with ‘The Magician’. His facial hair ensures the audience knows exactly where he is on his journey to enlightenment, and serves a definite purpose in the film.

Although ‘The Magician’ is a facial hair cliche, it does not meet the criteria of a full beard and therefore is precluded from the following list of film beard stereotypes; of which there are five major variations. It's worth noting that the majority of full beards in movies have negative connotations, despite the fact that many of the greatest directors in film history have been beardies.

So, in order of beardliness, the five most prevalent beard stereotypes in contemporary films from the 80s and right up until the pre-hipster 2000s are:

'The Bad Guy'

'The Bad Guy': This beard is heavily manicured, implying that anyone who puts too much thought and effort into shaping their facial hair must clearly be evil.

'The Old Man'

'The Old Man': This is your full, neatly trimmed beard. It's generally only found on middle aged and older men in films - those who are considered 'past their prime'. Oftentimes, it is worn by teacher/mentor figures.

'The Down-On-His-Luck'

'The Down-On-His-Luck': Unkempt and not quite as thick as 'The Old Man', this beard signifies a character is lacking some vital element in his life. It is inevitably removed when the character is redeemed, or is finally on the path to redemption.

'The Hobo'

'The Hobo': Long, filthy or scraggly, this beard is generally worn by social outcasts or misfits. It also screams rock bottom, and is removed or trimmed to signify positive change in a character’s situation.

'The Wizard'

‘The Wizard’ - As magnificent as it is unlikely, this beard is only achievable with the aid of magic (or much oiling and combing).

There are some notable exceptions to these stereotypes. The best example of a refreshingly pointless beard belongs to the character of Ellis in Die Hard. He is your typical, 1980s businessman, yet instead of being clean shaven, he has a full, regular, no nonsense beard. The beard is never referred to, it offers no clue to his character nor impacts the plot. It’s just a beard.

Die Hard, Blade Runner And The Movie Tie-In

Since the dawn of time, the film industry has looked to novels for inspiration, frequently mining books, comics and graphic novels for movie fodder. Conversely, movies that were scripted without any pre-existing source material were routinely adapted into comic or novel form (the novelisation). To close the loop, novels that were adapted into movies would later be re-released, featuring artwork from the film (and occasionally a title change), to create what is known as the movie tie-in. These rebranded novels were sometimes completely different to the film. Some might even suggest that slapping a celebrity's face onto a novel is a cynical attempt to cash in on the adaptation's success. Case in point:

Greetings and Salutations!

Nakatomi Christmas party, circa 1988.

Merry Christmas and welcome to the first post from Repeat Viewing. This blog will predominately cover the films, books, music and toys of the 70s and 80s, with the occasional dip into other eras. From time to time I may also include a bit of shameless self promotion, posting artwork of mine that I feel is relevant and worth sharing with the two or three visitors who stumble upon this blog on their way to more reputable and well established pop culture websites.

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