Showing posts with label Eyes Wide Shut. Show all posts
Showing posts with label Eyes Wide Shut. Show all posts

June 19, 2020

The Parallelism of Kubrick and Kate


Stanley Kubrick and Kate Bush are two of the most important and influential artists of the 20th Century. Despite this, Kubrick is not renowned for his singing or dancing. Similarly, having recently laboured through Bush’s 1993 self proclaimed ‘load of bollocks’, The Line, The Cross and the Curve, it’s safe to say that she is not synonymous with film making. Yet both of these artists have so much in common it’s astonishing that everyone isn’t talking about it, like, all of the time. According to comedian Michelle Wolf, ‘Blogs are a conversation that no one wanted to have with you’. That observation has never been more applicable than to this red hot topic.

October 01, 2019

Eyes Wide Shut: Masterpiece Or Meh?


I’m rarely confounded by a film, yet Stanley Kubrick's Eyes Wide Shut confounds me. In the twenty years since its release, I’ve watched it a thousand times; not because I like it, but because I still don’t know if I like it. Is it a work of genius, the culmination of a lifetime of obsessive research by history’s greatest film-maker? Is it a rumination on the masks we wear, itself masquerading its meaning behind layers and layers of inscrutable detail? Or is it the last ditch effort of a pervey old man to stare at some boobs? 

We've heard it all before: Eyes Wide Shut set the Guinness World Record for the longest film shoot of all time. Stanley Kubrick required his actors to perform take after take of inconsequential actions, so much so that Harvey Keitel quit and Tom Cruise developed a stomach ulcer.* Kubrick literally worked himself to death, suffering a major heart attack only days after completing his final cut of the film. Considering the time, money and energy that went into the making of Eyes Wide Shut, it's impossible to watch the film without regularly pondering the following question: What the hell is going on?

Other questions might include:
- How come no-one in this film seems to know how to act? 
- Why does New York City look so fake?
- Is the orgy supposed to be erotic, suspenseful or lame?


Let’s discuss.