Music Video: Tess

Thomas Hardy’s Tess of the d’Urbervilles was published in 1891. Mediocre film adaptations of the novel were made in 1913 and 1924, before Roman Polanski’s Tess was released in 1979 to critical acclaim. Oxford based singer songwriter Tamara Parsons-Baker recorded her own take on the rural tragedy in 2012, and that same year, I edited Polanski’s footage to Tamara’s song. Some might go so far as to say the following music video was 120 years in the making. Others might say it took a little over two weeks.

Read-Along Record: Mad Max 1979

The redback spider. The inland taipan. The blue-ringed octopus. Nothing fills us Aussie Gen X’s with more pride than the knowledge that we’re taking our lives into our own hands every time we step into a rock pool, sit on a dunny or pull on a pair of Blundstones. Unless someone mentions the last of the V8 Interceptors. Or roving bands of larrikin bikie marauders who materialise every time you pop by the local milk bar for a pack of Winnie Blues and a Chiko Roll. Then we tear open our Mambo shirts to reveal our Southern Cross tattoos and sing the unofficial Australian national anthem (‘Khe Sanh’ by Cold Chisel) in our very best voices.

If they'd ever released a Read-Along Record of George Miller's 1979 classic Mad Max, I can guarantee it would have been on heavy rotation in my house. It might have even looked a little something like this...

To see more pop culture merchandise that never existed, crack open a VB longneck and click the READ-ALONG tab at the top of the page.

Two Hands And The Manic Pixie Dream Girl Misnomer

In Two Hands, Rose Byrne plays Alex, a teenage resident of Mudgee, New South Wales. While on holiday in Sydney’s Kings Cross to visit her brother, Rocket, she meets Jimmy (Heath Ledger), who sparks her interest. Alex and Jimmy’s romance blossoms over two sweltering days in 1999 and, by the end of the film, they are jetting off to the north coast together so that Jimmy can start a new life as an apprentice boat builder to Alex’s uncle. In the space of 48 hours, Alex appears to fall in love with Jimmy, despite the fact that all she knows about him is that he is a strip club tout with aspirations of working for the local crime boss. When he’s at his lowest, she offers him hope and redemption whilst never revealing her own goals or desires. Alex displays all the hallmarks of a manic pixie dream girl, but is she? Is there more to Alex than meets the eye?

 

Do Something

While on his way to his first job for gangster Pando, Jimmy is sidetracked by Alex, who he spots outside a Backpackers with a camera slung around her neck. She takes Jimmy’s photo, and when he takes her photo in return, he asks her to ‘do something’.

 

Her response can be viewed in several ways. At first, she appears blank, expressionless. Then, as we slowly dolly in towards Alex, her lips part and she is no longer an empty vessel, but a siren. At this moment, Jimmy sees her as a potential love interest rather than merely Rocket’s little sister. But look closer. Jimmy’s 'male gaze' may reduce her to an object of desire, but what she has actually done is remove her mask, revealing a depth of sadness and vulnerability. This is a damaged person who is crying out for help. Maybe it was when she heard that Jimmy had beaten Kiwi Bob in a bare knuckle boxing match, or when she saw him carefully roll a cigarette for a burly transvestite, that she realised that here was somebody who could protect her from whatever trauma she was running from in Mudgee. Here was someone who, if nudged in the right direction, might even be willing to leave his life in Kings Cross and join her as she runs away to greener pastures.

Where Ya Goin’?

Other than the occasional quirky hobby or eccentricity, one of the defining traits of the manic pixie dream girl is a lack of information regarding their interests or background. The same can be said to be true of Alex; except that she is given the opportunity to divulge this information on two occasions and chooses not to. First, when Jimmy asks her what it’s like to live in the country during their brief chat outside the Backpackers, and second, while she is literally waiting by the phone in Rocket’s apartment for Jimmy to call her. There, she is ‘cracked onto’ by Jimmy’s co-worker Les. Les is also a strip club tout who aspires to one day being ‘in’ with Pando’s crew. Les does what all men are led to believe is the right thing to do when meeting a woman (show an interest, ask questions, be a good listener). Again, Alex is reluctant to share any personal information and, as Les isn’t blessed with looks or charm, is rejected by Alex. She prefers her men to be humble, capable and good with their hands. 

What About Tonight?

On her date with Jimmy, Alex displays genuine concern for his predicament. The only interest that Jimmy shows in her is whether or not she will call her uncle for a job interview. Alex’s suggestion that he speak to her uncle may seem like an act of benevolence, but it is actually a very subtle expression of Alex’s desire and agency. By manipulating Jimmy for her own agenda, she proves herself to be more than just a catalyst for male change. Alex may not be a manic pixie dream girl, yet her treatment by Jimmy relegates her to that role; a role that she willingly plays to get what she needs. She is his ticket out of the hole he’s dug for himself in Kings Cross, and he is the safety net she needs to start her life over in a new town.

 

Are you good with your hands? Been for a dip recently at Bondi Beach in your jocks? Done a nice job on Kiwi Bob? Then this custom design based on Heath Ledger’s tee from the final act of Two Hands might be right up your alley.

 

More obscure t-shirt designs based on popular culture from the 70s, 80s and beyond can be found by clicking the tab at the top of this page.

The Poor Cow Trilogy - A Synopsis

 

Joy was a 'Poor Cow' with a hard life. At the age of 18 she escaped her neglectful parents, only to end up married to Tom, a violent criminal. The one ray of light in an otherwise gloomy 60’s London existence came with the birth of her first child, Johnny. 

When her husband was charged in 1967 with armed robbery, Joy moved in with Tom’s accomplice, Dave Fuller. Unfortunately, the solace she achieved during this period ended when Dave was also sent to prison. Unbeknownst to Tom, Joy continued her affair with Dave despite his incarceration and, upon his release 12 years later, fell pregnant to him. Although Tom believed that the new baby, Jenny, was his own daughter, he had little interest in raising her or her brother. 

When Joy became terminally ill, Tom left the children in the care of their aunts and uncles, and after Tom's death, Dave took his place as Jenny's legitimate father with a new alias, ‘David Wilson’.

 

On several occasions, when young Jenny caught wind of her father's criminal intentions, she would threaten to call the police and turn him in. Jenny was 14 years old when Wilson inevitability returned to prison for stealing concert receipts from a Pink Floyd gig at Wembley Stadium. The cops never recovered the money, and if it weren’t for Wilson's "friends", they wouldn't have caught him either. 

 

The money was safely secreted away to an offshore account, where it continued to accumulate the interest required to finance Wilson’s retirement, false IDs, unregistered firearms and return flights to LA. Following her father's imprisonment, Jenny moved back in with her extended family. Eventually, she left London for the bright lights of Hollywood, fashioning herself as an actress with the stage name Camilla Rhodes. 

 

Times had been tough for Jenny, as they had been for her mother Joy, but with her looks, street smarts and charm, she found herself a wealthy benefactor - Terry Valentine.

 

Like Wilson, Terry's heyday was the sixties; however, instead of armed robbery, Terry made his fortune producing and promoting music. As the money began to dwindle away, Terry's security consultant Avery connected him with a powerful criminal underworld. Laundering money for the mob provided him with the capital required to keep him in the lifestyle he’d grown accustomed to. And when his young wannabe actress girlfriend Jenny wanted a role in Adam Kesher’s new movie, The Sylvia North Story, Terry’s mob connections secured it for her. 

Jenny was furious when she discovered that Terry had pulled the strings that had gotten her the part, and with the support of her acting school friend Eduardo, she confronted the mobsters at one of their warehouses downtown. There, she discovered that Terry was also involved in drug trafficking, and like she’d done to her father, she threatened to turn him in to the authorities. Terry flew into a rage and bashed her head in. To cover up Jenny’s murder, Avery and Gordon (Terry’s bodyguard), staged a car crash on Mulholland Drive. This would set in motion a series of events that would culminate in the suicide of Jenny's mentally unhinged acting friend, Diane Selwyn.

Diane moved to Hollywood with dreams of making it big. Instead, she was left to watch from the sidelines as Jenny (AKA Camilla) scored the lead role in The Sylvia North Story and was courted by the film’s big shot director. In Diane’s mind, not only was the role meant for her, but she and Camilla were in an intimate relationship. 

 

When Diane learned of Camilla’s suspicious car accident, Diane’s delusions led her to believe that she was somehow responsible for it; that she had, in fact, hired a hitman to murder Camilla. Overwhelmed by grief and guilt, Diane lay in her bed and shot herself in the face, where her body remained undiscovered for days.

The news of Jenny’s death also reached Wilson via a letter sent from Eduardo. Armed with his tools of the trade and a bottle of Old Spice, The Limey boarded a plane bound for Los Angeles. There, he would exact bloody revenge on the mobsters that Terry worked with and the bodyguard that faked Jenny’s death. But when he came face to face with Terry Valentine, Wilson could not bring himself to pull the trigger. 

 

He realised that the environment he had raised Jenny in, his various criminal pursuits and life choices, were just as responsible for Jenny’s death as the wall that had caved her skull in. Wilson returned to London, content with the knowledge that Terry was likely ruined and that his daughter could finally rest in peace.

New T-shirts Added To Collection

Do you have an overwhelming desire to declare your eclectic pop culture tastes to the world? Do you enjoy outing your closest friends and work colleagues as the philistines they are? Then these latest Repeat Viewing custom t-shirts are for you.

 

Hit the tab at the top of the screen to see the ever expanding range, or follow @repeatviewing on Instagram to see each new design as it drops. Or don't. The choice is yours.

The Poetry Of Augie March

 

I've never had an interest in poetry, nor do I profess to have any real skill in interpreting it. Despite this, I can identify and appreciate good poetry in popular culture. Who didn't, for example, go out and buy a book of William Blake's poems after watching Jim Jarmusch's Dead Man? Or trawl through Robert Browning's 'Childe Roland to the Dark Tower Came' for a fix during the six year drought between Stephen King's 'The Waste Lands' and 'Wizards and Glass'? In my youth, the majority of my experiences with poetry were more prosaic. Back in 1991, I recall being tasked with analysing a poem for my Year 11 English class, and instead wrote an essay on Paul Hewson's 'Running to Stand Still' (otherwise known as Track 5 from U2's The Joshua Tree). When it comes to true poetry masquerading as song lyrics, however, nothing compares to the writing of Glenn Richards - lead singer of the Australian indie rock band Augie March.

 

Augie March's back catalogue is full of incredible music and Richards' indelible poetry. In their early days, their best songs focused on the life and musings of a twenty-something university student - 'Future Seal' (Thanks for the Memes, 1998) and 'Rich Girl' (Waltz, 1999), for instance. By the year 2000, Richards' lyrics had progressed onto more erudite topics. To pick their best songs from twenty plus years of recordings seems like an impossible (and pointless) task. Nevertheless, here are the Most Poetic Songs of Glenn Richards and Augie March.

Of Ninth Waves And Glass Hotels

In 1985, Kate Bush released her fifth studio album, Hounds of Love. Widely regarded as her best album, side A includes such chart toppers as Cloudbusting and Running Up That Hill (A Deal with God). Both tracks enjoyed multi-generational popularity; Utah Saints sampled Cloudbusting on their 1992 electronic dance hit, Something Good, while Stranger Things' excessive use of Running Up That Hill in 2022 introduced sexagenarian Kate Bush to eleven year olds the world over. Side B of Hounds of Love, a conceptual suite subtitled The Ninth Wave, remains one of her greatest achievements in a career that has spanned six decades.

 

The Ninth Wave's seven tracks tell the story of a woman lost at sea, drifting in and out of hypothermia induced sleep. She experiences dreamlike scenarios from her past and future, as well as events witnessed through the eyes of a woman on trial for witchcraft and an astronaut circling the Earth in a satellite.

Each track conjures imagery that almost begs for it to be made into a film; however, doing so would require fleshing out the protagonist's background, her relationships, the events that led to her being lost at sea, and clarification of its resolution. Simply put, it would need to answer two questions - how did she end up floating alone in the middle of the ocean, and at its conclusion, did she survive her ordeal? Emily St John Mandel's 2020 novel, The Glass Hotel, answers both questions in great detail (whether this was her intention or not).

Custom T-shirts Now Available

For those of us living outside of the UK or US, purchasing custom t-shirts from websites like Etsy and Redbubble can be an expensive endeavour. To circumvent costly shipping charges, I design and print my own t-shirts.

A variety of designs can be found by clicking on the Custom T-shirt tab, with more designs being uploaded in the very near future.

Indiana Jones And The Dunn & Duffy Circus Train

The opening scene of Indiana Jones and the Last Crusade is rife with callbacks and foreshadowing (what the cool kids these days call 'Easter eggs'). We witness the origin of Indiana Jones' iconic wardrobe; a wardrobe that he will, for the most part, remain faithful to for the next 60+ years of his life. Spoiler alert - the felt fedora was inexplicably gifted to him by a sweaty stranger. We find out how Indy got Harrison Ford's chin scar (freak whipping accident). But the sequence that is most meta is River Phoenix's chase along the length of the Dunn & Duffy circus train.

There are four distinct set pieces on the train:

• The first, and most obvious callback, is the House of Reptiles carriage. It is reminiscent of the Well of the Souls in Raiders of the Lost Ark, and is responsible for Indy's totally justified fear of snakes.

 

• Indy tussles with a whooping street tough on top of the next carriage, which houses a raging rhino. The rhinoceros horn protruding through the roof of the carriage and almost skewering our hero brings to mind the spike chamber in Indiana Jones Part Deux - The Temple of Doom.

 

 

• The Last Crusade's Nazi book burning parade is foreshadowed in the next carriage, the Den of Lions. Later in the film, Indy's dad will convince him to retrieve the grail diary by going to Berlin, 'into the lion's den'.

 

 

• And finally, we get an inkling of the sorry state of Indiana Jones' fourth film adventure, upon entering Doctor Fantasy's Magic Caboose. In Kingdom of the Crystal Skull, Indy meets inter-dimensional, magical super beings. He also hides inside a fridge to avoid being disintegrated by an atomic blast, which is a bit like how he hid in a box to escape Doctor Fantasy's Magic Caboose.

 

M*A*S*H ft Something For Kate

M*A*S*H followed the exploits of the staff and patients at a Mobile Army Surgical Hospital during the Korean War. It was broadcast from 1972 to 1983, then continued in syndication for decades. Throughout my youth, M*A*S*H was one of a handful of shows that my entire family would gather to watch - mostly due to it being the only thing on at 7pm that was worth watching. This newspaper from 1984 can attest to that fact...

Something For Kate are an Australian alternative rock trio. Acclaimed by critics and fans alike, they have continued to release relevant and exceptional music for almost thirty years.

What does a thinly veiled anti-Vietnam War sitcom and one of the greatest Australian bands of all time have in common? Very little, unsurprisingly, except for the striking resemblance between singer Paul Dempsey and M*A*S*H's charismatic lead, Hawkeye (Alan Alda). The realisation of this got me thinking - What if the band shot a music video as if it were an episode of M*A*S*H, kind of like Weezer's 'Buddy Holly'? Instead of inserting the band members into actual footage from the show (as Weezer did with Happy Days), they could play characters from M*A*S*H. Bassist Stephanie Ashworth could be Margaret 'Hot Lips' Houlihan, and bearded drummer Clint Hyndman would play moustachioed surgeon B.J. Hunnicutt.

Back in 2005, I pitched the idea to Something For Kate. Needless to say, I never received a response. Now, almost 20 years later, I still feel it was a missed opportunity and, as a fan, would have gotten a kick out of seeing Paul Dempsey in a Hawkeye Pierce Hawaiian shirt and cowboy hat ensemble. So, for your reading pleasure, here is my original script for a Something For Kate/M*A*S*H music video...

View-Master Mock-Up: Let it Be

Since the release of The Beatles: Get Back, there has been a renewed interest in the original version of their 1970 documentary, Let It Be. However, copies of the film have been hard to come by, and as yet, it is unavailable on any streaming service. If only this View-Master set were real, we'd at least have 21 stereoscopic images of the band to gawp at.