On the night of his birthday, Clarence fails to find a date for the Sonny Chiba Streetfighter triple feature. Alone and despondent, he spirals into a fugue state; one in which he imagines himself to be a fast talking, highly capable cold blooded killer and drug dealer.
He also manifests his greatest desire - a call girl who will not only marry him on the first night they meet, but one who also thinks that a guy who hangs out in a comic book store and waxes lyrical about 'Sgt Fury and his Howling Commandos' is cool. Alabama Whitman is Clarence’s ultimate fantasy; an unlikely mix of 70’s exploitation cinema femme fatale, manic pixie dream girl, and Sissy Spacek from Terrence Malick’s 1973 classic Badlands. Clarence dreams that even when her loyalty is tested near to the point of death, Alabama’s love for him remains true.
In this fever dream, Clarence's childhood friend and terrible actor, Dick, manages to land a role on T.J. Hooker (a television series that had already ended by 1986). Clarence fantasises about cruising around Hollywood with an Arquette by his side in a 1974 Cadillac Fleetwood Eldorado. He pictures himself impressing the producer of one of his favourite movies, 'Comin' Home in a Body Bag'. He even confronts his deadbeat dad. In this emotionally charged hallucination, Clarence imagines what it would be like to show up on his father's doorstep with a smoking hot, subservient young wife. Clarence sends Alabama out for food and beer with his own money, proving that he is a better provider than his abusive, negligent dad. He also gets to tell his father all the things he’d wished he'd said in the past, before imagining him being tortured and brutally killed.
And finally, at the conclusion of his fantasy, Clarence literally becomes the father of Elvis - all while sporting a super cool eye patch like his hero, Nick Fury.
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